The "Bluesberry" voicing of the Hotcake has a slightly less buzzy edge at the onset of distortion, and often works well when guitarists have amplifiers with extra extreme treble boost, like some Marshalls for instance.įor further information on our finance options, including representative examples, please click here. Generally speaking, if you are happy with your guitar and amplifier combination, the Hotcake will work well as a primary distortion.Īs of SeptemberThe Hotcake now comes in only one version, and is internally presettable for "Normal" or "Bluesberrry" voicings, and also for the extended low frequency option for bass. It is recommended that the Hotcake is patched between the guitar and amplifier, rather than into an amplifier's effect loop. Increasing the Drive will give you a thick distortion sound with a little bit of edge to it, and the Presence control adds some mid-range punch to the sounds.
You can get a clean volume boost by increasing the Level control. With the Drive and Presence controls set to minimum, and the Level at around 2 o'clock, you should be hard pressed to hear any change in the sound at all when you switch the Hotcake in and out. The Hotcake is designed to leave the undistorted component of the guitar sound unchanged, while providing a nice fat distortion sound without resorting to a treble cut circuit which will also affect the guitar tonality. It's a mighty crunchy, home grown distortion effects pedal that guitarists the world over swear by. So, what is it, exactly? It's the Hotcake.
0 kommentar(er)
